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paulcarvill.com

Hi, I'm Paul Carvill, I'm a web developer. I'm currently working as Technical Lead at LBi, Europe's largest digital agency.

I also like walking, cooking, Bollywood and rock 'n' roll.

Archive for the ‘Music’ Category

Stop! Avi Buffalo time!

Monday, April 19th, 2010

I’d just made two cups of tea when Mark Radcliffe on Radio 2 said he was putting on an Avi Buffalo song whose seven and a half minutes would take him up to the end of his show at 10pm. I was turning around, tea in hand and on my way out of the kitchen as the intro played.

In the first couple of seconds of the song I thought to myself “Oh, I’ll search online for Avi Buffalo when I’ve sat down and I can listen to it then,” but then without thinking at all I just stopped in the doorway, and stood there for about thirty seconds as the dreamy, chiming guitar led into melancholic, sun-dappled wistfulness, like Stereolab created in California. Then I turned back around, walked over to the kettle and put the two cups of tea down and stood there for the next 6 minutes listening to the great song. “Astonishing,” said Radcliffe when it was finished.

Then I took the warm-ish tea through to the living room and told my wife, Kate, “I’ve just heard an amazing song,” and looked it up online. Avi Buffalo have a website here where you can listen to lots of their stuff, but I eventually found their song Remember Last Time on Soundcloud, as an official upload by their label Subpop. Then I listened to it another five times! Six if you count the one I’m listening to right now as I write this!

Whether or not you like the song isn’t the point here. It’s that the online music world is so amazingly extensive and complete and instantaneous that it’s easy to forget how important something so simple as the radio is.

When I was a kid I always thought songs sounded better on the radio, and sometimes I still do. Sound nerds will probably tell me it’s because of compression, or punch, or loudness in modern production techniques, but really it’s because of timeliness, serendipity and immediacy. If you’re in the room when something great starts playing, it;s very hard to break that magnetic pull and walk away from it. And in a car, wow, that’s even better. In a car you have nowhere to go, so when a CHOON comes on the radio all you can do is open the windows and drive faster.

I wrote this because I couldn’t remember a time in the last couple of years when hearing a song has so clearly physically stopped me in the middle of what I was doing so I could listen to it. I spend a lot of time at a computer with background music on headphones while I work, or in the middle of a soundscape of clashing stereos as various floors and departments at my creative agency try to make their musical tastes heard. It’s really nice sometimes to get back to the purity of listening to music for its own sake.

A Spotify playlist for US Esquire magazine’s Best New Songs 2010

Wednesday, March 31st, 2010

Here’s a Spotify playlist for US Esquire magazine’s Best New Songs 2010 list.

Some sample song descriptions (guess who!):

“Say you happen to be working on a soundtrack to a pole-dancing documentary (personal or professional), this is your song, an example of the New Orleans hip-hop offshoot “bounce.”

“Because of what they do to this Gang of Four classic. The song is so lean and economical, you wouldn’t think there were many ways to make it seem original. But by swapping the original’s jangly electric guitars for meaty acoustics, Supergrass’s Gaz Coombes and Danny Goffey have strengthened the song’s melodic sweet spot without sacrificing any of its urgency.”

“They’ve constructed a minimal, almost medieval universe. The use of instruments reminds me of Bach: stark but very romantic. Plus, the harmonies are unbelievable.”

“Because this lathered-up, blissfully fuzzed-out anthem makes you feel like a fourteen-year-old.”

The list comes with the odd title “50 Songs Every Man Should Be Listening To”. It also comes with a video a a beautiful woman dancing.

Spotify playlist of US Esquire magazine’s ‘50 songs every man should listen to’

Friday, April 17th, 2009

Here’s a Spotify playlist of the available songs from US Esquire magazine’s ‘50 songs every man should listen to’. The list is surprisingly catholic, and mostly new-ish. But the headline is facile — the list has no relevance whatsoever to man- or womanhood. It doesn’t matter if you are a gent or a laydee: Axl Rose still honks like an animal in pain and Lucinda Williams still breaks your heart.

http://open.spotify.com/user/paul.carvill/playlist/1IYqQnBiKdMEdqzx6KXIsT

How to do music lists

Monday, March 16th, 2009

How to do a list of songs on a newspaper or magazine website:

And how not to:

  • The Telegraph’s 100 Greatest Songs Of All Time — in which the adjudicating panel of one – Neil McCormick – hilariously abandons grammar in favour of enigmatic SMS-length capsule reviews. Sample description of The Doors’ Light My Fire, “Provocative, sensual, slinky song weaving erotic desire.” And another one of U2’s Still Haven’t Found What I’m Looking For: “Gospel rock hymn of doubt and spiritual quest.”
  • Esquire’s 50 Songs Every Man Should Be Listening To — let me get this straight: you want me to click through at least 50 times, even more with ads, and if I haven’t heard the band you’re talking about the onus is on me to wade through the internet to find one of their songs to listen to? OK, thanks.

The Worst Beer That I’ve Ever Had

Saturday, February 21st, 2009

I’ve been looking for this song for ages. It’s “The Worst Beer That I’ve Ever Had” by Buster Poindexter and it’s brilliant. A swingin’ dixie jazz foot stomper, embellished with a chorus worthy of West End theatre:


More about this songShare

The noise. My God, the noise!

Tuesday, October 28th, 2008

Jim Reid wears the same t-shirt and jeans he’s been wearing for the past ten years. He hangs off the microphone the same way, half crouches his legs the same way, and has the same flinty, hard edged, ice cold delivery he always had. I’m watching him at the Jesus And Mary Chain gig at The Forum and basically, he’s still cool as fuck.

William Reid, though, that’s another story. He’s got fat, that’s for sure. His hair’s still the same fuzzy mess from before, but he also seems a bit rough around the edges on the guitar. It looks like he needs to run through the chords for each song before he plays it, to remind himself how it goes. More than once his brother stops the song while he angles his hand around the guitar neck searching for the right rhythm, the right notes. And when he sings at the end of the set it’s with a honking, whiny voice that probably hasn’t been aired out for a few years.

But these are tiny, tiny details next to the gigantic, roaring wall of noise and sleazy chugging riffs the pair assault the audience with tonight. Stories of the volume, the sonic violence and the sheer, awesome grooviness of it all have been told a million times before. So I’ll just say that The Jesus And Mary Chain are still the dirtiest, scuzziest, filthiest rock ‘n’ roll racket out there. By miles.

I’m a big fan of British Sea Power and their beautifully crafted and layered songs, which do not lack punch themselves. They are second on the bill tonight, and theirs is a glacially dramatic, British sound, warm and soaring. Significantly, Jan’s songs stand out as bright, melodic and uplifting pop. Down On The Ground, No Lucifer and True Adventures are all immediate, rich and heartfelt.

But tonight the Reid brothers’ swaggering, sneering, feedback-drenched Americana is all-conquering. Resurrection is even an more defiant, nihilistic squall of screaming noise than it was ten years ago. When Jim Reid drawls out the line “I wanna die just like JFK, I wanna die in the USA” it hits you like a brick.

The gig was a tribute to the late Nick Sanderson of Earl Brutus, RIP. £20k was raised for his wife and son.

The Piano Sings

Tuesday, June 10th, 2008

It must be cheating, in some way. What Michael Nyman does, I mean. His music is so direct, it takes a shortcut to the emotional core of your being. It’s not fair on all the other composers. He bypasses all the extraneous stuff and just twangs the big string in your heart called “feeling”.

This is not to say his music is without nuance. His minimalist compositions, endlessly cycling and repeating, are in constant flux, fluid. Their emphases change, the tension builds up, something like a wave, then releases in a huge gush as the core theme is revisited.

To my ears he is from the same school as Philip Glass, although Nyman’s music is not as dense. Where Glass’s music can sometimes feel austere or even heartless, Nyman’s is instead a full on rush of emotion. It is more accessible. It’s no surprise he has made so many film soundtracks. But the constant assault on your senses can get wearying.

I saw him at Cadogan Hall, off Sloane Square, playing music from his soundtracks for Peter Greenaway films The Draughtsman’s Contract, Prospero’s Books, The Cook, the Thief, his Wife and her Lover. After the interval Nyman played some new stuff – 8 Lust Songs: I Sonetti Lussuriosi. It was sung lasciviously by a minxy Marie Angel while overhead projections of the Italian lyric and erotic etchings were displayed.

An excellent show, and the sound in Cadogan Hall is pretty good, barring one or two crackles from the speakers as the band hit full stride.

Top tip: The Royal Court cafe in the basement of the theatre nearby is good for food, in a laid-back, jazzy atmosphere.

Do You Like Rock Music?

Wednesday, November 21st, 2007

In his latest Newboost, British Sea Power’s Secretary has detailed a list of items and proclaimed them Rock and Non-Rock. This is to herald the imminent arrival of BSP’s new album ‘Do You Like Rock Music?’, and the Secretary enourages you to join in the fun:

ROCK MUSIC: Brian Clough, Iggy Pop, Little Richard, Tommy The Buzzard, second-hand bicycles, Charles Francis, Johnny Kingdom, Jose Mourinho, sweet chestnuts, Jamelia, having enough food to eat, Bob Nastanovich Of Pavement, Winston Churchill, Wayne Coyne, affordable cider, Roy Keane, The Who, Jordan, Thin Lizzy, Big Daddy, Arthur Brown, James Brown, Ian Brown, Pamela Brown, The Brown Bottle, Hedy Lamarr, dominoes, cherry wood, Bill Clinton, soap, Nick Cave, good manners, Ol’ Dirty Bastard.

NON-ROCK MUSIC: U2, Hitler, Royal rat Prince Harry shooting hen harriers (allegedly), the Red Hot Chili Peppers, continental lager made in Britain, malnutrition, being the bassist in a Red Hot Chili Peppers tribute band, George Bush, Kevlar, Green Day (aka The American Alarm), Jlo, Tony Blair still being a politician when he should be reforming his Rolling Stones-style rock band, Nine Inch Nails, accidentally shooting the wrong person on a train, Sting, owning more mobile phones than you have hands, shower gel, being seen at a Rolling Stones after-show party.

Related links:

The Independent’s review of BSP’s recent Scala show
Ben Myers on BSP’s love of the bucolic

Give a little love

Tuesday, November 20th, 2007

Has Jenny Lewis of LA power-pop and chugging-rock 4-piece Rilo Kiley got a belter of a voice that belies her frail and tiny frame? Hell yeah!

Their gig at the Shepherd’s Bush Empire last night goes straight into my gigs of the year 2007 (see also Arcade Fire’s St. John’s/Porchester Hall appearance in Jan/Feb). The harmonies soar, the riffs chug and they’ve got the funk, which normally spells doom for any band but here really should propel them into the mainstream. It’s slick and sheeny, and they look like they’re enjoying themselves, which is halfway to everyone else enjoying themselves anyway.

All this and a ukelele interlude. Sweet.

Related links:

Khoi Vinh of Subtraction.com thinks “this band are so boring I almost fell asleep typing out their name

In Control

Tuesday, November 6th, 2007

Is Ian Curtis just another spoiled rock star, consumed by his own ego to the detriment of all around him, and his subsequent legend yet another bloated entry in the long list of over-hyped, prematurely dead musicians?

You could certainly try and argue the case. If you knew the bare facts of the story. BUt Control, the new film documenting the short life of the Joy Division singer, impeccably presents all sides of the events leading up to his death in 1983, and succeeds in making his tragic suicide all the more overwhelming as a result.

The basic facts are well-known by any music fan – Curtis, an epileptic, was found hung in his house by his wife at the age of 23. Anton Corbijn, better known as a photographer who has taken iconic images of Joy Division and U2, to name a couple, carefully and unemotionally explores Curtis’ adolescence, his family, his job, his early marriage, the formation of the band Warsaw, later to become Joy Division. Curtis becomes, for a while, the calm at the centre of a storm, as pressure of money, work and family and events build up around him and lead him to utter “I feel like I’ve lost control”. Then, to complicate matters, he suffers a serious fit, and is diagnosed as epileptic. The calm has become the storm.

Far from being the grey, depressing stereotype of early eighties independent music, Curtis is portrayed as a hard-working, sensitive family man. But once he is tempted by a Belgian fan, Aniike, into an extra-marital affair it’s not long before his marriage breaks up and the psychological pressure on him becomes immense. He loves his wife, but sees his life as small, northern and parochial. He loves Aniike, too. His stage performance is intense, dark, brooding and alien. The actor who plays him bears and uncanny physical similarity and brings a down to earth realism to the part.

Shot in beautiful monochrome, it captures the stark drabness of Manchester, dark working mens pubs, the backs of vans and the tired sofas of cramped living rooms. Other things to look out for are the inevitably comic portrayal of Tony Wilson, and spot on portrayals of Barney Sumner and Peter Hook.

By the time Curtis’s cremated ashes rise up in smoke to join the persistent, grey Manchester atmosphere, accompanied by his band’s song of the same name, it takes a hard heart not to feel the loss of this interesting, enigmatic man.